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THE PLAYGROUND THEATRE presents
THE SHROUD MAKER: A bittersweet satire of life in Palestine
16 MAR | 4PM
Written & Directed by Ahmed Masoud
Performed by Julia Tarnoky
Set Design by Dima Karout
Sound Design by Richard Melkonian
Sound Operation by James Denny
Lighting Design and Operation by Chris Corner
Photography Credit(s): BetterThanReal & Constance Hui
This compelling moving black comedy, its central character's life-story, inspired by a real-life redoubtable 80 year-old Palestinian shroud maker, unfolds as a brilliant microcosm of Palestinian history from 1944 to 2018. Each performance, months apart, bridging Covid, including three Palestinian Festivals, every time generates rapturous responses, tears, laughter and overleaps boundaries.
Hajja Souad has survived decades of wars, displacement and oppression by making and selling shrouds for burying the dead. It’s the one item that is always in demand. As her past returns to haunt her she is forced to make a big decision. But first she tells us a harrowing story of courage, love, displacement, and escape that takes us on the journey of her life to her workshop in Gaza. Along the way we learn much about Palestine-Israel history from 1944 to 2018. In this compelling and moving black comedy inspired by a real-life redoubtable 80 year-old in Gaza, Palestinian writer Ahmed Masoud weaves comic fantasy and satire with true stories to create a vivid portrait of Palestinian life in Gaza – before the most recent heartbreaking events.
Ahmed explains “The Shroud Maker is about the situation in Palestine, highlighting the humanity of the people, their sense of humour and their great instinct for survival. The Palestinian narrative is often presented through the small lens of politics without reference to the vibrant culture rooted in the people’s history and memories. What is happening in Gaza right now is an example of how people fail to understand the deep human story which expands to centuries on this land. The Shroud Maker addresses these issues through the personal narrative of a woman trying to survive decades of war by making shrouds for the dead, shrewdly realising this is a good business to have in a land of conflict.”
Julia was recommended for The Shroud Maker by Kathryn Hunter in 2018 to Ahmed Masoud for the initial six performances which formed the backbone of his initiative @70: Celebration of Contemporary Palestinian Culture, a week-long festival held at RADA Studios, of theatre, dance, films, music and talks commemorating the Palestinian experience of dispossession and loss of a homeland.
After Julia's 1st performance in @70 , an individual who came intending to demonstrate her protest by stopping the performance , instead found herself sympathetically entirely drawn in. She approached Ahmed to buy a play-script, explain, enthuse, and then found Julia warmly to commend, saying this important production had changed her mind ! it must play widely , Edinburgh ".. and I must tell you, I am Jewish, Israeli, a theatre director " .
BOOKING INFORMATION
Duration: 70 min with 30 min Q&A
Interval: n/a
Content Warnings: Sounds of drones, explosions and gunfire " delightfully liberal use of obscenities"
Recommended for 16+
Tickets (Unreserved)
General Admission £22
Senior Concession £18
Unemployed | Under 30 | Student £14
Access for All £18 (reserved)
Access for All Note: Please contact boxoffice@theplaygroundtheatre.org.uk for your complementary ticket for a career/companion/friend
This event is part of the Women's Voices Festival. Festival passes are available to see all events.
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Photography Credit(s): BetterThanReal & Constance Hui
Reviews:
‘Julia Tarnoky plays Hajja Souad with such a delicate touch as she moves across the stage. The play gives a clear picture of what was happening in Palestine after World War II… it is a timely piece of theatre to help us understand why things are as they are now, and why we, as a nation, are far from blameless.’ one4review.co.uk ★★★★
‘With humour almost unbearably close to the bone… brutal in both scope and detail, Masoud’s script interprets the tragedy of modern Palestinian history not through lenses of geopolitics, but through moments of gutting personal loss – of land, of people, of dreams. As the shroud maker continues to make her shrouds, a painful mix of tenderness and despair is revealed beneath her well-earned nihilism.’ Fest Magazine ★★★★
‘Really powerful… wonderfully written… shedding a necessary light on the turmoil every Palestinian has lived with long before last October… a script this strong at a time like this is worth seeking out.’
British Theatre Guide ★★★★
'Julia Tarnoky… powerfully embodies the trauma one can endure over a lifetime and how it shapes the depths of one’s inner emotions. The uniqueness of The Shroud Maker lies in its bold portrayal of the British coloniser, a depiction rarely seen on modern UK theatre stages’ The Student ★★★★
‘Masoud's script subverts the cliched expectations often heaped upon art centred on the plight of the Palestinian people… a vivid timeline of a century's worth of trauma, told through the recollections of one of the few to have survived it to maturity.’ Playbill ★★★★
‘A British actor playing a Palestinian may be a juxtaposition too far for some but Julia Tarnoky’s performance draws from a deep well of emotion and resilience in an incredible performance that depicts an existence riven with the contradictions of innocence and cynicism. Masoud’s script paints a complex picture of life in an occupied territory, where the struggle for collective freedom comes into conflict with day-to-day survival.’ Morning Star ★★★★★
Audience response:
Wow! 5 star show. The brilliant performance from Julia Tarnoky had me transfixed. What a powerful one-woman show, so moving. Hajja Souad's story transported me to Palestine and touched my heart. - Suzanne
One of the most powerful shows I've ever seen! We were left in floods of tears. Needs to tour! Wow, wow, wow! - Marissa
One of the most powerful and compelling one-person shows and performances I've seen in years. The best show I saw in Edinburgh and one I'd recommend to anyone. - Nicholas
Deeply moving and so well played. It captured my heart and I found tears rolling through my face. A must see. - Shanti
We are used to the political story of the West Bank and Gaza - The Shroud Maker gives us the human story - the pain and anguish, and the canny humour needed to survive the years of terrible conflict… Julia Tarnoky portrays a whole neighbourhood of characters in a powerful, committed performance and a fascinating play.
- Rachel
In one of the most remarkable performances I have seen in theatre, Julia Tarnoky held a riveted audience spellbound through a tour de force of storytelling. This beautifully written play is so packed full of incident it feels epic. - John
Full list of Julia’s performances to date
1st 1-6. RADA Studios @70 A Celebration of Contemporary Palestine Culture 14-20 May 2018 coinciding with publication on 14 May 2018 by Oberon Books of the play script. https://www.bloomsbury.com/uk/shroud-maker-9781786825292/
6 performances of The Shroud Maker
2nd: 7 Barbican Theatre, Plymouth 21 June 2018 - as part of Refugee Week
3rd : 8 Unity Theatre Liverpool 14 July 2018 as part of Arabic Arts
4th : 9 25 August Greenbelt Festival 2018
5th 10 SOAS - October 5 2018 part of welcome for new overseas students
6th 11 Volcano Theatre , Swansea 15 February 2019
7th 12-15 Greenwich Theatre 25-28 February 2019
8th 16 Stantonbury Theatre, Milton Keynes 3 March 2019
9th 17&18 BPFF 2021 at 1532 Theatre 4 December Bristol Palestine Film Festival re-opening live and in-person post-covid with a matinee of The Shroud Maker plus Q&A ,
A panel discussion with Palestinian Ambassador to the UK Husam Zomlot and writer-director Ahmed Masoud
An evening performance of The Shroud Maker
10th 19,20,21 Rich Mix PalArts launch October 29,30 & 31 2022
11th 21+25 = 46 EdFringe24 Pleasance 10Dome 31 July-25 August (Excl 14 Aug) 2024
12th 47 Christmas Eve 2024 at Drayton Arms
13th 48 The Playground 16 March 2025
JULIA TARNOKY Performer
Hajja Souad, plus all men, women, children and a vase. Julia’s previous roles include Sylvia Plath in Sylvia, directed by Ralph Fiennes, Helen in Corryvreckan Dir. Janine Wunsche for which she won LFA Best Actress Award, extensive credits with Howard Barker and The Wrestling School including Howard Barker's 14 Poems (available to view online), Deborah in A Kind of Alaska Dir. Esther Richardson, Ruth Holderness in Bridlington Dir. Ken McClymont. Purl in The Knitting Pattern Dir. Michael Hunt , Amanda in Private Lives Dir. Greg Floy, Masha in the Three Sisters Dir. David Hunt, TV Includes The Buddha Of Suburbia Dir. Roger Michell. Film includes work with four female auteurs: for Reema Sengupta, Tyu in Tyu’s Company, an award-winning short selected for nine international film festivals, for Jill Van Epps, Woman in Objects Of Worship for Angelina Shortt, Dorothy in Self-Displacement, and for Jade Ayino, Rude Female Customer in Carbon Copy an award winning short film (Calling The Shots Films Ltd BBC/ACE)
AHMED MASOUD Writer /Director
Writer, Director, and Academic Ahmed Masoud was born and brought up in Gaza, and is now based in the UK. Theatre credits include Camouflage ( London 2017), Walaa, Loyalty ( London 2014), Go to Gaza, Drink the Sea (London and Edinburgh 2009); and Escape from Gaza (BBC Radio 4, 2011). . Novels include Vanished: The Mysterious Disappearance Of Mustafa Ouda for which he was Winner of the Muslim Writers Awards (2011), and Come What May . He was the writer behind the ‘cancellation’ of Obliterated with Maxime Peake, a theatrical stunt to highlight the destruction by Israel’s bombing of the only theatre in Gaza. www.ahmedmasoud.co.uk
Grateful Thanks to Janie Dee, James Denny and the Drayton Arms, Andy Jordan Productions, Chris Corner and Drayton Arms for set and props, Naomi Hussain Jack Weir, Heather Masoud, Kathryn Hunter ( Executive Producer Ed Fringe 24 Pleasance 10Dome) and Keep It Fringe